For the first time the Whitney Biennial’s curators have included a majority of female artists in their survey. 84-year-old Chicago artist Diane Simpson is one of them, with a room of her own.

Leonor Fini’s first U.S. retrospective is being staged at an unexpected venue: the Museum of Sex. This is no coincidence, as sometimes it is an outsider’s voice that makes us pay attention to what matters most.

Hilma af Klint channeled her artistic impulse from a higher realm. Contemporary critics seem to look down on her spiritualism. less than half thinks this is a mistake.

In her retrospective “Other Situations” at el Museo del Barrio, Liliana Porter says a whole lot with very modest tools: mostly plastic figurines, tchotkes, collectible porcelain, and a whole lot of wit.

Latin American women artists are given their due in this highly successful, ambitious, chilling, and, above all, emotionally powerful survey at the Brooklyn Museum.

Reigning monarch of Brazilian Modernism Tarsila do Amaral arrives at MoMA to much fanfare. But does the Museum do her justice? less than half sees what the hype is all about.

Maria Lassnig returns to New York in a series of films and animated works, both serious and amusing. 

Toyin Ojih Odutola's To Wander Determined at the Whitney Museum of American Art and Helen Johnson's Ends at the New Museum in New York City 

Laura Owens Mid-career retrospective at the Whitney Museum of American Art 

Cuban printmaker Belkis Ayon's retrospective at el Museo del Barrio in Manhattan 

A new look at the iconic feminist work the Dinner Party by Judy Chicago at the Brooklyn Museum 

Louise Bourgeois, an Unfolding Portrait at the Museum of Modern Art presents the artist's seemingly endless oeuvre